Programmed By [Additional Computer & Synth Programming] – Ken Freeman, Lee Ritenour Programmed By [Computer & Synth Programming] – Harvey Mason, Jr.* Recorded By [Additional Recording] – Harvey Mason, Jr.*, Lee Ritenour, Thom 'TK' Kidd*. Nov 1, 2018 - Artist Lee Ritenour Title Of Album Discography Year Of Release 1976-2010. Crossover-styled, instrumental album in 1983 called On the Line.

The Dualers truly are a self-made success story. From busking the streets of London to selling out the capital’s prestigious O2 Indigo theatre 4 times they have single-handedly taken their highly-stylised mix of authentic ska & reggae to the masses. Propelled by their ‘rain or shine’ work ethic and an ever-burgeoning fan base they have entered the UK singles charts 3 times and sold over 35,000 self-released albums. All this and The Dualers are still one of the UK’s best kept secrets.

Cherry Red Records new Ska imprint Phoenix City now proudly presents The Dualers third studio album – ‘Prince Buster Shakedown’, a tribute to the undisputed King of Ska, Prince Buster. Lead singer of The Dualers, Tyber Craunston discovered the sounds of Buster through his Dad, Bill, who throughout the 60’s helped introduce ska music to the capital with his Savoy Sound System. From before he could walk Tyber was swaying to the sounds of Prince Buster, making this selection a highly personal one that jumps and grooves between booming 60s ska and soulful rocksteady. Produced by Pama Intl’s & Phoenix City’s curator Sean Flowerdew the album see’s it’s launch at The Dualers headline performance of 2012’s London Intl Ska Festival on 5th May 2012 at O2 Shepherds Bush Empire.

Collection of Patrice Rushen Along with contemporaries George Duke and George Benson, Patrice Rushen made a major transition from cutting respected acoustic jazz material to hitting the upper reaches of the club and R&B charts. A dynamite keyboardist with a limited but sweet voice, Rushen debuted at the age of 20 on the Prestige label, working with maverick saxophonist Joe Henderson. Within a matter of a few years, legendary club DJ Larry Levan was spinning her carefree but sophisticated post-disco singles released on Elektra. Rushen continued releasing R&B albums into the '90s while never completely departing the jazz world; she also became a barrier-breaking musical director.

Born September 30, 1954, in Los Angeles, CA, Rushen's parents enrolled her in music classes at USC when she was three. Nikon f100 serial number list. In her teens, she won a solo competition at the 1972 Monterey Jazz Festival.

The attention garnered from this earned her a contract with the Prestige label. After recording Prelusion (1974), Before the Dawn (1975), and Shout It Out (1976), and establishing herself as an in-demand session player on albums such as Donald Byrd's Caricatures and Eddie Henderson's Heritage, for which she contributed 'Kudu,' Rushen signed with Elektra. Forging an engaging jazz/R&B/funk fusion, she found a new audience through Patrice (1977), Pizzazz (1979), Posh (1980), Straight from the Heart (1982), and Now (1984). Most of these sets impacted both the jazz and R&B charts, and several singles off them were heard on dancefloors and across airwaves. 1980's 'Haven't You Heard' and 1982's 'Forget Me Nots' were the most successful of the lot; both of them went Top Ten on the R&B and club charts. The latter was sampled heavily for Will Smith's 1997 hit 'Men in Black,' while the former became the basis of Kirk Franklin's 2005 gospel crossover smash 'Looking for You.' From the mid-'80s onward, Rushen's solo recordings were relatively sporadic, including sets for Arista, Sindrome, and Discovery; some of these were her most jazz-oriented releases since the mid-'70s.